Writing a first draft–a “discovery draft,” as I like to call it–has to end somewhere. This is a blessed relief, because drafting is scary and hard. You do it blind. You have no idea whether what you’re writing is “going anywhere” or whether it’ll be any good (in fact, it’s not good, it’s terrible, that’s why they call it a ROUGH draft).
When do you know you’re finished with a first draft? For me it’s when there are no more gaps in the basic story. Figuring this out involves laying receipt tape on the dining table and monkeying with the order of the scenes I’ve written, each of which is represented by a sticky note. What you see here is my entire draft mapped out on a single tape, plus my notebook containing the scenes or part-scenes I still have to write.
What I haven’t done yet is make tapes for individual subplots, character development/relationships, significant objects or any of the many other aspects of the book that will eventually require mapping out. I thought I might do this today too–thus the extra (blank) tapes–but I realized that it’s too early. That’ll be second-draft work, the equally-but-differently scary and hard work of revision.
PS: Instead of sticky notes, Oscar-winning screenwriter Dustin Lance Black uses index cards–check out his amazingly organized process.